Thursday, 27 March 2014

Grasshopper

Task 2

• Program a sphere that can move along an arc representing the sun’s path. Design the system so that you may specify the azimuth (sphere’s location along the arc’s length) and the altitude (arc’s rotation about the Y-axis). 



• Program a façade that responds to the shadows cast on it by the sphere, so that wherever there’s a shadow, there’s an opening. Try using the “exposure” component and assign a vector between the sphere and the façade.



• Reprogram the façade so that wherever there’s a shadow, there is an opening.












• Program a cube that can move along a circle centered on the origin. Design the system so that you may modify the cube’s location using a control knob. 





• Program a façade that responds to the cube (“attractor”), so that when the attractor is near, there are more openings.



• Reprogram your façade, so that when the attractor is near, there are fewer openings. 
Complete these Grasshopper tasks by 3pm. 


Grasshopper file:
https://www.dropbox.com/sh/e9k3eks5ukm03j5/b9kvOUkz1Q

Assignment 2: Week 4


Task 1


1) Reflect on the lecture and develop a matrix of 9 proposals for how yours (or a classmate’s) architecture from Project 1 could respond to its context. Each proposal should be a short description. Your matrix should include the three environmental factors (sun, wind and rain) on one axis, and the interactive methods (toggle switch, incremental slider, and infinitesimal slider) on the other axis, as shown in the matrix below. 



Toggle 
Incremental slider
Infinitesimal Slider
Sun
A shutter system using blades that turn in synchronization during the day and off during the night. The night allows light from the sky, moon and stars and during the day the shutters close to stop harsher lights from the sun entering the facility.
Using heat and colour senses to detect the penetration of the sun, a shield is activated to change colours that either let more or less light into the facility.
Dark will absorb more the light colours and thus heat or shield the facility.
Motion sensing data that follows occupants throughout the house, shading in conjunction to their movements. Spheres are created, getting larger or smaller shifting in density to create more or less shading dependent on the suns power for that particular day.  
Wind
A shielding device that either allows wind to enter into the house or stops it completely. Depending on the needs and desires of the users.
Responsive to direction of wind, which is also responsive to the positioning the of occupants to allow more wind or less (personal preference) depending on the location of the occupant. as a over all goal to get a good Cross ventilation.
Blades that rotate to generate power. The amount of power generated is dependent on the force of wind.
Rain
Shutters acting as a façade changing direction with the direction of rain, shifting angles. Usually not activated, however when there is rain (surface detecting) is pulled into action.
The different levels of rain and the intensity of the shield is increased to stop noise from entering the facilities.
Watering system to water the gardens!!!
As the direction of rain changes, shields act as a barricade that stops the rain from entering the facility. This must be quick responsive and should be stronger at the point of impact channelling the rain into a catchment device.


Reflection on this weeks lecture. 

This Weeks Lecture looked at a number of existing and possible architecture designs that responded to some climatic factors such as Rain, Sun and Wind. Instead of a simple 'on' or 'off'' solution, a number of different examples were shown that offered a plethora of different combinations and levels in providing  a particular service. 



This particular example struck me as quite beautiful as the action of the wind moving over the metal surface moved fluidly like a liquid. It as had a functional aspect, shielding a multi-levelled Car park from the wind, however did not negate from aesthetic beauty and elevated part of the designers creativity. 

In My own design I want to not only build something functional, giving the occupants a services as such, but also create something valuable to an environment in a more abstract way. 



I quite enjoyed the customisability of this particular invention and found it most functional however elegant at the same time. I liked the automatic conditioning of the different panels very fascinating and fun to watch.

Task 2

Storey Board

1 Yet to explain and comment on each image. More images coming.








Monday, 17 March 2014

Initial Concept: Clear is clever


The over all concept of my design will be based on a combination of these elements. 

Image depicting the natural evolution and possibilities of my design concept. I will use different combinations of 'Cutout sections' of shipping containers to achieve the different design roles. 


3D view of different components



Model taken from Sketchup warehouse Keuka Studios Chesapeake style - cable railing system


Although the Aesthetical quality of the joinery are a bit rough, this image depicts the overall layout of the board walks within my Sketchup model. This element will be uniform throughout the different 'orbits'. 

Thursday, 13 March 2014

Studio Exercise Week 2

Partner: Jeremy 

1. Identify how the understanding of “home” has changed over time in relation to the two prescribed texts

Our understanding of the concept of home have been impacted as times has changed.
In a primitive sense, a house is very different to a home. A house may provide a place of dwelling, eating, sleeping and reproduction. A home on the other hand maybe an area or an idea that an individual feels connection too. Jeremy and I discussed issues of family, individuality and community as being part of this notion of a home. Initially a "home" was thought to be majority confined by a physical space in which ones property or direct family share with the individual. However, as modern  ideals have changed, these paradigms are becoming more and more abstract. Ones sense of 'home' can now be described in other ways such as a collection of people groups or shared beliefs, hobbies, friends, interest etc and isn't necessarily based or linked to a 'place'.

Hollander’s Home
“all depends…”

2. Description of the concept of home

As the notion of home is an interchangeable abstract, I sort to define the meaning of home based upon the context in question. Defining ones sense of home may differ between cultures and should be defined in direct relation to my own research. My chosen disaster being the Earthquake in Christ church New Zealand, I found that "a home isn't necessarily a place but a sense of belonging". These ideals of "belonging" to a home are built around concepts of family and community rather then singularity or individuality. Art, dance, language and other forms of creativity are what defines much of the populations sense of belonging and identity and should be made room for. Therefore, I have based my definition of home to centre around these notions. "A home has a number of abstract levels. They are contained within an individuals space, a family space, a community space and a wider community space". In this way I will reveal these different levels of

3. Conduct research on your clients 

Who: Having been colonised by Europe in 1642, the majority of New Zealand's population is of European descent (69 percent identify as "New Zealand European"), with the indigenous Māori being the largest minority (14.6 percent), The last 16.1 percent are made up of a combination of pacific islanders and oriental migrants. Although some people groups still linger in the traditional Maoi tribe way of life, most of Christchurch's inhabitants live by a modern routine. 

Most Statistics that appear in this blog post are taken from:
http://en.wikipedia.org/wiki/Demographics_of_New_Zealand

Needs: Christ church is typically a modernised city and reflects different influences of 'New colonial England' especially in the style of architecture. Most of the population are already adapted to traditional European conventions and ways of life. Typically, most of the amenities such as a kitchen, bathroom, bedroom as a self contained unit within a house or apartment that a free standing or (in an apartments situation) are low in number to limit claustrophobia. However in the case of the disaster, practically, amenities that are shared are more suitable for reasons of comfort and requirements of space.



http://en.wikipedia.org/wiki/Christchurch_Central_City

Vulnerabilities: The different vulnerabilities include physical and psychological. Physically, many structures are no longer structurally sound are dangerous to move or live within. This poses a physical need for shelter and accommodation for the effected people groups. Psychologically, after the earthquake 185 people died leaving many with broken homes and lost loved ones, many of which will be incapacitated or even depressed.



http://en.wikipedia.org/wiki/Christchurch_Central_City

Urban/Rural: The area effected by the disaster was in Christchurch the second most populated urban area in New Zealand.

Houses like before disaster: Usually single storey or small complexes of apartments with 4-5 different units. 

http://en.wikipedia.org/wiki/Christchurch_Central_City

Climate conditions: Conditions of Christchurch are considered to be a oceanic/temperate climate, effected by ground frost and snowfall. Most houses are built to withstand these sort of temperature and climate conditions. Tremors and small earthquakes are not unheard of and most of the houses are built with some degree of thought towards these factors (unfortunately not enough in the CBD).



http://en.wikipedia.org/wiki/Christchurch_Central_City

Cultural or religious traditions: Christchurch is known for its culture of the arts. These range between dance, song, art, language and other forms of creativity especially reflecting the the traditional Maoi way of life. Many community halls and performance areas are dedicated to different forms of these activities and are very much integral to the makeup of the city.



http://www.coutausse.com/#/feature-stories/new-zealand-haka-2000/newzealand-24

4. Discuss how your current design proposal addresses your clients

My current design proposal will act as a framework to cater and fulfil the needs and desires for a wide range of different people and their situations. Instead of designing for one particular situation such as a small family or single person, my design proposal will be able to 'change' depending on the clients particular need. I will use different designs and Cut-outs of the shipping containers which will interlock to suit the particular needs of each person.

5.Working individually, select 1 of the 7 principles of universal design presented in the lecture and use it to develop your design proposal further. 

How does your design Proposal consider security?

Security is an important and integral part of my design proposal. I plan to raise my design above the ground (see last post 'Tree house' and sketch drawings for detail) so that it is unable to be physically reached without entering through a locked gate. This space will be shared by a mean range of 15-20 people which will have some affiliation with one another rather then paring complete strangers. This provides physical security and a circle of trust which is important in times of disaster.

Monday, 10 March 2014

Independent Study Week 1

Three short statements on the topic of "home". 

1. Home is an individual space, family space, community space.



2. Home is a sanctuary, a physical area or refuge

3.  an ideal or sense of belonging, comfort or 


Image of shipping container 



A downloaded Sketchup 3D warehouse model 







Further Research into potential ways of Bracing elevations
In order to overcome some of the obstacles of an elevated compact elevated emergency house, further research was needed into existing designs.


The Tree House


Not Only is it elevated, the actual design of the house is quite elegant as it minimises its effects on the environment, whilst allowing reasonable spacing for occupants and maintaining a high level of aesthetic integrity. 



The use of light materials such as Aluminium and Wood helps to keep construction simple. Similar ideas could be used within own design when thinking about the different elements of my potential bridge systems and circulation paths.



The room exceeds the parameters of the walls and roof extending out into nature. The designer has choreographed the shapes and shading of the wall and roof wall paper to mimic the exterior natural environment of the trees outside.




This space acts as a great communal area that takes advantage of the exterior setting. The Timber deck and panels acts as a link between the structure and nature.

http://www.aetherapparel.com/journal/2012/11/

Saturday, 8 March 2014

Earth Quake Disaster Research

An Earthquake is the result of a sudden release of energy in the earth's crust that creates seismic waves. These waves can be translated into land movements and even water displacements such as tital waves. Earthquakes are a natural way of releasing tension beneath the earth's crust and are often too small to be detected. The severity of the quake corresponded directly to the force of the movement and may not be dangerous at all. However larger quakes can be quite devastating to the affected areas as well as neighbouring coastal areas if the quake comes from under the ocean.


Living in Earthquake Affected Areas


Typically, the conditions for living within areas devastated by such phenomena are often quite hazardous as many deaths are caused by people moving through buildings and facilities collecting and searching for survivors that are structurally compromised from the disaster. These buildings may collapse and should not be used as a means for emergency house. Building practices can make all the difference in earthquakes, even a moderate rupture beneath a city with structures unprepared for shaking can produce tens of thousands of casualties.


Christ Church
A major earthquake hit Christchurch on 22 February. Much of the city was destroyed, including about one-third of the Central Business District with a total of 200 deaths. The quake has caused massive damage, estimated at somewhere between $10 to $20 billion. Possibly 10,000 houses need to be destroyed and 100,000 need to be repaired.  


Video taken from earthquake


Emergency response
In the immediate moments following the quake, ordinary citizens and those emergency services on duty responded and initiated rescues. Christchurch Police were, alongside regular duties, provided security cordons, organised evacuations, supported search and rescue teams, missing persons and family liaison, and organised media briefings and tours of the affected areas. Humanitarian support and welfare were provided by various agencies, in particular the New Zealand Red Cross and the Salvation Army. Welfare Centres and support networks were established throughout the city establishing contact with as many people as possible and provided grants and assistance. Many church and community-led projects also became established. The scale of the disaster meant many people went some days without official contact, so neighbourhoods and streets were encouraged to attend to those around them.


                                                                                                                                                                               




Rescue workers on the collapsed Pyne Gould Guiness Building in central Christchurchl searching for trapped women. Picture: Mark Mitchell, New Zealand Herald Source: Supplied



Emergency forces fencing off disaster affected buildings to minimise further injury and


Sections of buildings and rooms within are exposed to the elements. Balconies and other overhanging elements of the structure are all but rubble.




Family members reunited after earthquake disaster.

Case study 1


Shipping Container Architecture


The idea of “stacking” components using shipping containers allows more flexabiliy within the design. This allows rooms to span multiple containers in comparison to one room per container or even fixing every room within one container. In this way, community areas can be established and the level of comfortability may be improved.

The Bayside Marina Hotel, Yasutaka Yoshimura Architects, Yokohama Bay, Japan.
http://news.domain.com.au/domain/real-estate-news/shipping-container-housing-for-japans-homeless-20110428-1dy60.htm



Case Study 2

Platoon Kunsthalle / Platoon + Graft Architects



Platoon Kunsthalle, Graft Architects, Seoul, South Korea. www.graftlab.com 


Great use of space and lighting. Community areas are an integral aspect within the design concepts. The Original shipping container shape is quite apparent, the original texture is kept. Individuality on the other hand is all but non-existent within the space and the idea of “homely” spaces isnt a concern within the space. The use of concrete, sharp industrial colours and shapes makes the building appear this way.


Comparative study


Comparing the fold out ability of case Study 1 in comparison to the permanence of case study 2 is interesting. The target user reflects immediately the design aspects of the two cases. Case study 1 implicates directly to house a single family situation where as case study 2 refers more to a communal area for a larger number of people. the different purposes reflect the design aspects of the shipping container architecture and what the architecture needs to achieve.




Case 1
Case 2
Feature
* compact
* quick assembly
* utilises natural light and setting
* large open spaces
* industrial
* utilises man made lighting
*
Design approach
* more in keeping with a ‘single’ family situation
* larger spaces, more freedom with design
Similarities
*houses people and other amenities
*
Differences
* houses single families
* houses many people


My Brief/ Design parameters and design features.

My Design will assist a number of families to live in a comfortable environment for a period of 6 months during the rehabilitation of the city of Christchurch in New Zealand. Features to include within the design space:

* Kitchen and cooking/cafeteria areas

* Bathing/shower and toilet amenities

* A community space/ emergency assembly area (these may be combined).
A community space not only helps build mural but sanctifies different groups and allows an emergency assembly area.

* Dorm or bedding situations for different families or single peoples.
* The design must keep occupants warm, secure and protect from the elements or any aftermath earthquakes or shocks or potential burglary or assault.

Contextual Research

Climate
Christchurch has a temperate climate with moderate rainfall. It has mean daily maximum air temperatures of 22.5 °C (73 °F) in January and 11.3 °C (52 °F) in July. Christchurch has an oceanic climate. The summer climate is mild and is often moderated by a sea breeze from the Northeast, but a record temperature of 41.6 °C was reached in February 1973.
 A notable feature of the weather is the nor'wester, a hot föhn wind that occasionally reaches storm force, causing widespread minor damage to property. Christchurch experiences the urban heat island phenomenon, similar to cities such as Tokyo and New York City, making temperatures feel warmer than they actually are within the inner city regions.
In winter it is common for the temperature to fall below 0 °C at night. There are on average 99 days of ground frost per year. Snowfalls occur on average three times per year, although some years no snowfall is recorded. The coldest temperature recorded was −7.1 °C (19 °F) on 18 July 1945.
On cold winter nights, the surrounding hills, clear skies, and frosty calm conditions often combine to form a stable inversion layer above the city that traps vehicle exhausts and smoke from domestic fires to cause smog. 
http://en.wikipedia.org/wiki/Christchurch#Climate 

Restrictions
While not as bad as smog in Los Angeles or Mexico City, Christchurch smog has often exceeded World Health Organisation recommendations for air pollution.To limit air pollution, the regional council banned the use of open fires in the city in 2006, and in 2008, prohibited the use of woodburners more than 15 years old, while making funding available to upgrade domestic home heating systems.


http://en.wikipedia.org/wiki/Christchurch#Climate